Cross artform: Working with Tyneside based Customs House to support their ACE funded Strategic Touring project Follow the Herring (FTH) enabled us to employ Margate based artist Dan Chilcott, to create a new work and utilise his art practice, knitting, to deliver Coat for Boat. We made new relationships with a community of highly skilled knitters who were not existing Turner Contemporary visitors and worked closely with Theatre Royal Margate to develop audiences for the performance element of the FTH tour Get up and Tie your Fingers.
“Seeing something that was made using a craft that they are masters of was really personal, so it made that gallery space a really personal experience for them and I think demystified some of that aura around the gallery experience that is quite set up for certain types of art activity and certain types of discussion and I think that Summer of Colour made that more accessible through some of its projects” ~ Dan Chilcott
Animating the exhibitions for a wide audience. We achieved this through our approach to programming with partners across art forms and in numerous and varied locations. Pairs of events on and offsite, such as bringing dance to gallery were an excellent example.
There was notable variety in the programming within the gallery from Shiva Nova’s Equator festival event as part of July’s First Friday, to Tom Thumb Theatre’s On Margate Sounds both of which brought their existing audiences into the space. Part of Shiva Nova’s event included a Bollywood dance workshop led by Ash Mukerjee.
Responses to Shiva Nova event; contemporary Indian dance and music in the Sunley Gallery.
“The dancers were amazing and I loved the interactive dance workshop prior to the show. Gorgeous venue. More please! Thank you.”
“Just thoroughly enjoyed it. Brilliant dancers. Fantastic venue for this kind of music”
“The dance was exceptional and the backdrop of the tides made it a magical setting”
Offsite: The Summer of Colour delivered giant windmills across the town, knitting in the Tudor House and in libraries, workshops at Proper Coffee and dancing in the Old Town working with South East Dance who delivered Les Danses de Dom’s Cubing Bis ; Red Ladies in helicopters, boats and on the roof and jazz on the terrace. There was a steamroller printing in the High Street and installations of artworks from the gallery to Cliftonville. We took workshops out to Ramsgate and Broadstairs and installed the windmills at the Powell Cotton Museum as part of their Vintage Vibe event. All of these events were designed expressly to ensure that the Summer of Colour created multiple opportunities for the public to get involved and be part of the wider festival.
We commissioned a film as part of the Summer of Colour evaluation and invited partners to be interviewed for the film which has given us some incredibly useful material for reflection and to plan future activity.
Read the previous post: Summer of Colour (part 1) -Background and Headlines
Read the previous post: Summer of Colour (part 2) – Delivery of The Framework
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